Traditional and Contemporary Rosemaling Colors
Actual color may vary depending on your computer monitor
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Norsk Dk. White Raw Umber + Burnt Umber 1:1
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Oyster Grey (Norsk Med. White) Titanium White+ Med. Beige+ Burnt Sienna+ Diarylide Yellow 2:1:1:touch |
Norsk Light White Tit. White+ Med. Beige+ Burnt Sienna+ Diarylide Yellow 32:1:1:touch |
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Setesdahl Dark Red Burnt Umber+ Indian Yellow +Brown Madder +Raw Umber+ Carbon Black 2:1:1:1:1 |
Norsk Dark Red Burgundy+ Burnt Umber+ Carbon Black 1:1:1 |
Vi Thode Red Naphthol Red Lt +Raw Umber 4:1
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Setesdahl Medium Red Naphthol AS Hue+ Yellow Oxide+ Quinacridone Gold+ Burnt Sienna+ Raw Umber 1:3:2:6:1 |
Norsk Dark Coral Burnt Sienna+ English Red Oxide+ Warm White+ Yellow Oxide+ Brown Madder+ Carbon Black 20:4:4:3:1:touch |
Norsk Med Coral English Red Oxide+ Warm White+ Yellow Oxide 4:4:3
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Norsk Light Coral Warm White+ English Red Oxide+ Yellow Ox+ Diarylide 22:3:3:touch |
Norsk Light Red Vermillion+ Hansa Yellow+ Hansa Yellow Light 4:1:touch |
Norwegian Orange Naphthol AS Hue+ Yellow Oxide+ Quinacridone Gold 1:3:2 |
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Norsk Dark Yellow Burnt Sienna+ Raw Sienna+ Brown Madder 1:1:touch
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Southern Sand Warm White+ Yellow Oxide+ English Red Oxide+ Raw Sienna+ Burnt Sienna+ Quinacridone Gold 8:5:1:1:touch:touch |
Norsk Light Yellow Yellow Oxide+ Warm White+ Diarylide Yellow 1:1:touch
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Norsk Gold Traditional Warm White+ Yellow Oxide+ Quinacridone Gold 1:1:touch |
Cloudberry Warm White+ Yellow Oxide+ Raw Umber+ Quinacridone Gold 24:9:1:touch |
Dark Olive Pine Green, Carbon Black, Burnt Umber 3:2:1
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Medium Olive Yellow Oxide, Pine Green, Carbon Black, Burnt Umber 12:3:2:1 |
Bergen Blue Dark Prussian Blue Ultramarine, Carbon Black 2:1:1 |
Bergen Blue Medium Warm White, Prussian Blue Ultramarine, Carbon Black 3:2:1:1 |
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Bergen Blue Light Warm White, Prussian Blue Ultramarine, Carbon Black 10:2:1:1 |
Telemark Green Pine Green, Burnt Umber, Yellow Oxide, Pthalo Blue, Quin Gold 3:1:2:2:touch |
Med Teal Teal Green, Burnt Sienna, Titanium White 4:3:1 |
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Light Teal Teal Green, Burnt Sienna, Titanium White 4:3:12 |
Norwegian Blue Sapphire, Burnt Sienna, Phthalo Blue, Brown Madder 1:1:touch:touch |
Norwegian Blue Light Warm White, Sapphire, Burnt Sienna, Pthalo Blue, Brown Madder 2:1:1:touch:touch |
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Albrecht Grey Blue Dark Phthalo Blue, Yellow Oxide, Eng Red Oxide, Carbon Black 4:3:1:touch |
Albrecht Grey Blue Medium Warm White, Pthalo Blue, Yellow Oxide, Eng Red Oxide, Carbon Black 6:4:3:1:touch |
Albrecht Grey Blue Light Warm White, Pthalo Blue, Yellow Oxide, Eng Red Oxide, Carbon Black 30:4:3:1:touch |
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For the Gary's Albrecht Color above, mix a Toned Yellow Orange first; Yellow Oxide, Eng Red Oxide, Carbon Black, 3:1:touch, then add the Phthalo Blue to make it blue and lighten with white. This was his favorite way to make blues. The Toned Yellow Orange is a complement to the blues and tones it very well. This is one Traditional way to tone blues for the Norwegian palette. Make Albrecht Grey Blue Dark first then lighten with 6 or 30 parts Warm White. 4= Phthalo Blue 3= Yellow Oxide 1= English Red Oxide touch= Carbon Black 6 or 30 = Warm White |
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